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Empfohlen für Hörer von 0 bis 99 Jahren. LA BOHÈME From the San Francisco Opera House 1988 Stage direction by Francesco Zambello "Pavarotti's and Freni's artistry is so superb that disbelief at these 50-somethings portraying Rodolfo and Mimi is suspended. The support around them is excellent, and the staging is ultra-traditional yet fun." (Malcolm Hayes, Classic fm) "La Bohème", which opened at the San Francisco Opera House Wednesday night (Nov 19, 1988), starred international recording star Luciano Pavarotti as Rodolfo and Mirella Freni as Mimi, who both had their debut with the company 21 years ago in the same roles." (Opera review, November 1988) TURANDOT From the San Francisco Opera House 1994 Stage direction by Peter McClintock "A brilliant fantasy of redemption..." "The visual splendours fuse with Puccini's score, his most advanced harmonically and his most opulently orchestrated." (San Francisco Examiner, 1994) MADAMA BUTTERFLY From the Teatro alla Scala Milano 1986 Stage direction by Keita Asari "La Scala's Butterfly scores with the loveliness of Ichiro Takada's Japanese sets and costumes. Yasuko Hayashi's Butterfly [...] rises to the challenge of her final scene; Hak-Nam Kim's Suzuki is a beautiful portrayal; and Maazel's conducting is high voltage, yet always suppertive." (Malcolm Hayes, Classic fm) MANON LESCAUT From the Flemish Opera 1991 Stage direction by Robert Carsen "Robert Carsen's sharp and snappy production, taped at the Flanders Opera in 1991 is an impeccably stylish affair that combines passion with wit, exactly as does Puccini's score. In the title role, Miriam Gauci is vocally skilled and dramatically inventive, charting the rise and fall of the venal yet lovable heroine with taste and a lavish top register. She's ably partnered by the healthy Latin tenor of Spaniard Antonio Ordonez's appropriately bookish Des Grieux. The late Jules Bastin's lecherous Geronte meanwhile falls just the right side of parody. The acting is universally purposeful and detailed - from the principals down to individual chorus members - and the piece comes over with tremendous effect. Much of its success is due to conductor Silvio Varviso's sensitive handling of the score, though he's not ashamed to give Puccini's outsize emotions their head when required." (George Hall, BBC Music Magazine, April 2002) Dirigent: Tiziano Severini, Donald Runnicles, Lorin Maazel, Silvio Varviso Orchester/Chor: Chorus and Orchestra of the San Francisco Opera, Chorus and Orchestra of the Teatro alla Scala Milan, The Flemish Opera Symphony Orchestra and Chorus

Kategorie: CDs
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