| Burland, M: Yale French Studies V110 ¿ Meaning and Its Objec |
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Gifts and ExchangeAndrew CowellSwords, Clubs and Relics: Performance, Identity and the SacredDeborah McGrady'Tout son pais m'abandonna': Reinventing Patronage in Machaut's "Fonteinne amoureuse"Margaret BurlandNarrative Objects and Living Stories in "Galeran de Bretagne" Images and PortraitsPeggy McCrackenMiracles, Mimesis, and the Efficacy of ImagesAlexa SandVision and the Portrait of Jean le BonCynthia BrownBooks in Performance: The Parisian Entry (1504) and Funeral (1514) of Anne of BrittanyAnn Rosalind JonesHabits, Holdings, Heterologies: Populations in Print in a 1562 Costume BookGeorge HoffmannMontaigne's Nudes: The Lost Tower Paintings Rediscovered Plans and ProceduresJeff PerselsTaking the Piss out of Pantagruel: Urine and Micturition in RabelaisDavid LaGuardiaInterrogation and the Performance of Truth in the "Registre Criminel du Chatelet de Paris"Andrea TarnowskiMaterial Examples: Philippe de Mezieres's Order of the PassionMichael RandallSword and Subject in Du Haillan's "Histoire de France" (1576)
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